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The New Open-Worked Audemars Piguet Royal Oak Jumbo And Selfwinding Flying Tourbillon Knocked Me Out

One of the most charming aspects is the way Cheap Audemars Piguet Replica has chosen to frame its flying tourbillon. A complication created to increase pocket watch accuracy, here it gets a symmetrical and futuristic home within the angular caliber 7124.

A long model name brings with it an extra dose of panache, often moving a watch up the rungs of a brand’s horological ladder. The Audemars Piguet Royal Oak Jumbo Extra-Thin Openworked 16204ST Replica is no exception. This is basically a skeletonized version of the 16202, making it all sound rather simple.

The Audemars Piguet Replica Watch new case shape and tapering bracelet are the same, but that is where the similarities end, sort of. Obviously, this is not as scintillatingly exciting as watching the twirl of a tourbillon, but it’s here for a reason. The delicately framed spring barrel within an intricate web of bridges is here to prove an extra-thin point, as simple as that.

Unlike the monumental bridges of the High Quality Royal Oak Selfwinding Flying Tourbillon Openworked Replica you will read about later, here we see a tightly woven spider’s web, almost a filigree pattern of steel. The regular 16202 itself is a feat of delicate juxtaposition.

Unlike the more monochrome vision of the rather spectacular 41mm Flying Tourbillon Iced Out dial, this is somehow more whimsical. Your entire perception changes when you realize the 8.1mm thinness of the case and realize that this is a pure engineering marvel as much as hand-crafted beauty.

I do enjoy the wafer-thin Octo Finissimo, but here, we are treated to a much more elaborate vision. The filigree-like detail work within the dial, and the fact that indices and hands are crafted from gold appeals more to me.

It only takes one brief look at the symmetrical cathedral of haute horology on display here. Audemars Piguet Replica Swiss Movement that constitutes the pinnacle of Royal Oak-dom has every right to have a six-word model name. A glance at the 6 o’clock position sets the tone with a mechanical ballerina in the shape of a flying tourbillon.

This is the top trumps of celebratory releases from Audemars Piguet marking the 50th Anniversary of the Royal Oak. We recognize the slightly retouched case and bracelet from the 16202; to be fair, though, I would not notice it without both an expert and a reference model.

Invariably, the standards are set pretty high. You might notice the eight slightly wide polished chamfers on the bezel if you manage to look beyond the skeletonization. While you try, take in the fact that this movement resides in a case only 10.6mm thick.

You might find the 41mm case looking slightly larger than previous versions. The Most Popular Audemars Piguet Replica reason for this visual trickery is a more dramatic taper to the suave bracelet. The octagonal bezel with its white gold screws frames a bewildering number of surprisingly symmetrical components.

Each part of the bridgework is cut down to a bare minimum, with exacting anglage glinting in the shots. Within this micro-mechanical temple to the semi-deity of the Royal Oak, your gaze will be drawn to the six o’clock position. The 2972 movement is an evolution of the 2950, with the star attraction being a flying tourbillon.